Beverly Hills — The Academy of Couture Art, recognized as being one of the leading accredited schools upholding the time honored tradition of haute couture technique and craftsmanship in made-to-order fashion design, hosted it’s annual gala at the Sofitel in Beverly Hills.
Hosted by Rachel Bailit of the Conan O’Brien Show the 2012 event, Le Reve, celebrated achievements in design from full Bachelor of Arts in Fashion Design degree graduates through to the teen couture program.
Many special guests supported the special evening with the next generation of haute couture designers including the beautiful star of Tim Burton’s “Planet of the Ape’s” Miss Estella Warren; the stunning leading lady of Simon Wells’ “Time Machine” and multi-award winning recording artist Samantha Mumba; Leading fashion designer Louis Verdad; Miss Lois Aldrin; Miss Terri Gans in official capacity representing the French Consulate General in Los Angeles; Miss Southern California Fehbe Meza; Elizabeth Matthews from the LACMA Costume Council; Paul Mitchell’s John Paul deJoria II; and 45x-Gold Medalist, 3x-world Tae Kwon-Do Champion, 5x European Champion, 5th Degree Tae Kwon Do Black Belt, former Ford model and co-star of Warner Brother’s “Tekken”, Anton Kasabov.
The Academy of Couture is a genesis of true haute couture. In developing their role in the global fashion community, the Academy of Couture Art created for 2012 an Honorary Board of Directors for the College inducting two members at the Le Reve Gala: Her Royal Highness Princess Theodora of Greece and Denmark and Her Excellency Michelle Czernin von Chudenitz und zu Morzin. Honorary Membership shows support for the ACA community and the mission of couture. Some members offer to make special guest appearances at our events or even hold intimate guest lectures in the college. Others choose to represent their support simply through the listing of college Honorary Members.
Founded by Sonia Été and Thierry Été, the Academy of Couture Art in Los Angeles provides an exclusive education in haute couture technique and design formerly unavailable outside of the leading European fashion houses. Students learn the delicate process of creating one of a kind pieces. From pattern making to handcrafted lace and beading, the program is an homage to the beauty, sophistication, innovation, intelligence, elegance and harmony of the creation.
Graduates for their Bachelor of Arts in Fashion Design including Maxfield Freiermuth, Sarah Kim, Mariana Romero Tejeda, and Angela Wu presented their thesis collections. Justin Howard, fashion columnist for the New York Times commented that his “ones [designers] to watch” list will be growing with names from the Academy!
For more on the show and key looks visit: http://www.academyofcoutureart.edu/success/
Academy of Couture Art
5700 Wilshire Blvd, Ste 275
Los Angeles, CA 90036
T 310 360 8888 x 120 | F 310 857 6974
Academy of Couture Art designers are back in the atelier for a few major runway events. Designers Angela CHUY WU, Katherine ENYART, Sarah KIM, Rachel NOURMAND, Margaret ROBERTS, Mariana ROMERO TEJEDA, and Raquel VAN DAALEN WETTERS are in atelier in honor of Grace Kelly and a collection in presentation at the 7th Monaco Charity Film Festival in France this May.
This collection will make its U.S. debut at the Academy of Couture Art and Couture Guild International gala, Le Rêve, in June 2012. Le Rêve is in loving memory of Monsieur François Lesage, Maître d’art who was a influential friend of the ACA community.
The event includes haute couture looks from 12 graduate students. From the 2012 Academy of Couture Art Collide fashion show we saw amazing support from the community including the awarding of HRH Princess Theodora of Greece and Denmark for her outstanding role model to the next generation of designers. She is also in attendance for Le Rêve in continued support of the fit, elegance, and creativity that is haute couture and how that can transform fashion industry production as we know it. We will also see special looks from mentorship programs with Parisian couturiers such as the notable Guillaume Cardoso de Sousa.
You are invited to join the movement as the Academy of Couture Art shares the celebration in an afternoon show. For more information and a peak at what the designers are doing for Le Rêve, visit www.CoutureShows.com.
Bright white sun on the modern mid-rises makes the greenery distinct and the couture garments elegantly bold. For a Saturday afternoon downtown Portland you can feel glamour all around.
Not many would put those two together: Portland and glamour. This is an achievement that only the two best schools of beauty could create. Academy of Couture Art, Los Angeles and Paul Mitchell the School, Portland have redefined west coast fashion and beauty which has usually tended on the side of surf wear or woodland chic.
The Fest in the Square event makes a mark in the movement of couture in the U.S. It is a movement of education in what is couture. Too often couture gets lumped into either the unobtainable wild and crazy creativity that is solely for inspiration or the occasional bows added here and there to make something look cute like Chanel.
Couture is an aesthetic. It is a sophisticated training of the eye. For fashion, it is also a method of designing and creating clothing from the highest to the lowest. Balance, proportion, line are brought out from a different perspective. Couture is where creativity meets beauty. Let’s face it, not all creativity is pleasing or moving, yet all couture is artistically stimulating or attractive to the eye. That’s technique.
The show in Portland was the first time Academy of Couture Art designers partnered with the talent at Paul Mitchell the School, Portland. The whole team of hair artists, models and designers where inspired to take it to the max for elegance; an experience you do not often see in mid day Portland.
“What’s amazing about this experience is seeing even the models transform. Not only did the team at Paul Mitchell bring out the most sophisticated chicness in the ladies, the luxury fit garments of Academy of Couture Art had the girls experiencing a new totally view of who they are as women. You can see it in the photos.”
That said, we have to agree and let the photos speak. Cheers to the west coast woman!
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The group of girls came into camp to give their personal fashion sense a lesson in Haute Couture. Every day of the camp, each artist was being challenged in her own way to think outside of her fashion box. Surrounding them, the walls, rooms, and tables spoke openly of the discoveries of other students, present and past. Discoveries that had resulted in art and nature inspired fashion collages, hand-embellished textiles, sketches of concept collections. This was an environment ripe for breakthrough.
Each student spent time to study under their well-trained instructors, learning the fine art of fashion and pattern. Watchfully cutting and measuring to Haute Couture standards, training their eyes to acutely observe images from the minds of the masters, and disciplining their instruments to sketch fashion figures the proportional and naturally elegant French way. Also, the students felt their ideas and expressions come to life with the use of European color theory, in addition to American, providing them with an entirely new and innovative color palette!
The progress that each girl felt as she watched her skills and design concepts become more refined and matured just added to the spirit. Every girl watched and invested in each other’s progress, getting excited and encouraged to encounter their newfound abilities in fashion. Excitement that built with each new fashion sketch, each experiment with color, each hand-measured muslin skirt, each carefully chosen final fabric…All leading to the height of the Summer Couture Camp achievements- the Red Carpet!
The girls were a burst of exhilaration, modeling their handcrafted skirts in front of the long ornate mirrors, teasing and primping their hair to decide the ultimate impression, tossing questions over their shoulders to others for their insider opinions.
Almost the moment. All feverishly lined up and waiting, smoothing their skirts, listening for their music cue. Then it’s time.
Music compels as each girl strides down the runway, pride in her eyes while she shows off her perfectly fitting, personally hand-made skirt to the eager onlookers. Everyone is thrilled to be experiencing this satisfying unveiling of the month-long program’s culmination.
A job well done (and exciting!), all the girls agree at the end, surrounded by admiring family and friends. When asked what they learned about fashion that was fresh and brand new, they beamed, and each answered with her own enlightenment. From the importance of knowing American and European techniques, to learning how to make their own patterns as well as concept sketches, to the value of piecing a garment together from scratch, to learning how to make garments that fit perfectly and capture a vision. Parental feedback was also revealing, one mother noting that during their last shopping trip, her daughter had immediately assessed a garment to find if it had a luxury finish (it did not). And another mother thoughtfully describing her daughter’s “evolution and refinement of taste” visible in her fashion sketches and still life drawings, as well as her garment design and construction.
Testimony after testimony reveals young artists flourishing under instruction at Academy of Couture Art, the only fashion design school in the U.S. teaching the height of fashion technique, Haute Couture.
Academy of Couture Art’s 2010 Collide Grand Fashion Show Gala was definitely a breakthrough fashion event.
I was able to attend the show after having been anticipating the event for weeks. I’d heard about it through a friend and wanted to follow up to learn more about what an Haute Couture Fashion Show could actually mean for the American fashion industry. Now I’m realizing it means revitalization, promise, a new cutting-edge, and inspiration. I was truly inspired.
Sonia and Thierry Ete, CEO and COO respectively, are passionate and vision-driven leaders of this fast-emerging Haute Couture movement in America. Michelle Myers, the Director of Admissions, introduced me to them and was very generous with her time and knowledge about this work as well. I had been able to reach both of them before the event to ask them to shed some light on the importance of organizing an event like this. This event incorporated the fine art of fashion (Haute Couture) with the art of drama (actors and actresses) and the fine art of music (Red Violinist), as well as introducing these art forms to royalty (Princesses and Baronesses). I learned that it was crucial to re-introduce Haute Couture fashion to America through an event that represents it as a distinctive fine art among and alongside other influential art forms. Art inspires art, and art, in turn, inspires society and culture. Thierry Ete told me this about Academy of Couture Art’s aspirations for its students, “Haute Couture creates major statements and identities through clothing. It’s an expression of the soul, and an even more significant statement of a human being. It’s expressing the magnificence and purpose of your existence. This allows our students to realize they have an important piece of the puzzle: a deep connection to their creative mind that is also serving the community and creating a legacy. They are enhancing and multiplying the most important truths about the human purpose.”
The impact of Haute Couture is that it’s the highest of fashion technique. Until Academy of Couture Art, this level of fashion education was not even available in America. And I think everyone will agree, with the pervasiveness of sportswear and the fact that most high-end designers are being imported, America is in obvious need of its own capability to create, produce, and have a presence in luxury fashion. After seeing what I saw from the Academy’s Grand Fashion Show, I’m finally believing this could be an answer to break the cycle.
The garments I saw coming down the runway were timeless, beautiful, each with its own personality and presence. I was grateful to these young designers for putting their minds and hands to garments fresh and original, each with a dedication to the highest of quality and craftsmanship. Some standout designs were Boris Ramos’ creations of navy, lace, and apple green, flowing and swirling their flawless fit. Also, Angela Chuy’s pink creampuff bubble dress prancing down the runway with tiny white shorts just peeking out from under. I love these personal identities coming through, both from the designers and on the models.
For a premier fashion show, Academy of Couture Art’s 2010 Collide Grand Fashion Show Gala exceeded my expectations. And ACA’s next fashion show, I can assure you, I am anxiously awaiting.
In a stunning display of fine Haute Couture collections, the Academy of Couture Art hosted a première Haute Couture fashion show last Saturday July 24th at the Sofitel Los Angeles. With one-of-a-kind garments expressing creative sophistication, refinement and elegance, designers amazed the celebrity filled ballroom at the grand gala.
Hosted by Viviana Vigil of NBC’s 1st look, the extravagant evening included a performance from the Red Violinist Elizabeth Pitcairn as well as celebrity attendees including: Max Ryan, Scott Elrod, “Bachelorette” Ali Fedotowsky, “Bachelorette” producer Cassie Lambert, world renowned pianist Carter Larsten, Jake Collins, Mason Canter, Marc Chamberlain, ABC’s “On The Red Carpet” Bruce Reynolds, NYPD Blue’s Charlotte Ross, former supermodel Elizabeth TenHouten, Baronesse Bettina von Schimmelmann, Consul General Daniel Kumermann of the Czech Republic; Deputy Consul General Iris Valverde of Peru.
This was also a royal occasion honoring Princess Theodora of Greece and Denmark. Princess Dalal Al-Saud of Saudi Arabia was also in attendance. Baroness Kimberly Moore, stunning in her Roberto Cavalli original, presented the award for Miss Teen Couture to one young aspiring designer. The stunning PK Applegate looked ravishing in her slate grey silk J. Mendel original gown sat next to the irrepressible stylist to the stars and Editor at Large for GenLux Magazine George Blodwell.
It was truly an amazing audience as Countess Michelle Czernin Von Chudenitz remarked, “I believe this is one of the first events where every single “celebrity” on the tip sheet attended!”
The show was as remarkable as the audience. Phenomenal garments graced the runway in collections that highlighted the talent of ACA graduates and members of the pre-college Teen Couture Club. Conveying the essence, principles, and concepts of Haute Couture, ACA designers’ collections exuded beauty, elegance, perfection, and uniqueness.
The couture show all but started concurrent with the arrival of leading Couturier Lloyd Klein and John Arguelles, and the collections gained much applause and attention from the high-profile audience.
The models looked remarkable with hair by celebrity stylist Sean James; and the make-up by Madonna and Gisele Bunchen’s celebrity artists Tiffany Saxby and Gina Brooke.
The event, produced by Eva Di Shanni of Fabulous, was a grand success. The talented designers of the Academy of Couture Art impressed the high-profile audience in a show that paves the way for making waves in fashion.
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ACA 2010 Grand Fashion Gala Revealing the highest of design talent in Nouvelle Couture Collections including exclusive designs for Swarovski and Lloyd Klein Couture on the Grand Fashion Runway at the Sofitel, Los Angeles. If you’re passionate about elegance, luxury, and the fine art of fashion, join the movement! Tickets are $25 with stamp for evening dancing and mixer: www.acawh.com/Home/ACAEvents.html